Publications

“‘You’re White. You Can Do Anything.’: Hollywood’s Celebration of the Colonial Past in a Post-Apartheid Temporal Enclave.”

The Journal of Global Postcolonial Studies (Forthcoming).

“What Big Eyes You Have: Animal Point-of-View Shots in Horror and the Limits of Vision.”

Spectator, vol. 36, no. 2, Fall 2016, pp. 23-30.

“Pandopticon: The Panda Cam & Animal Surveillance.”

Spectator, vol. 36, no. 1, Spring 2016, pp. 43-57.

“No Place for Waltzing Matilda: Uncanny Australian Swamps and Crocodiles in Rogue, Black Water, and Dark Age.”

Postcolonial Animalities. Ed. Amit R. Baishya and Suvadip Sinha. Routledge, 2019, pp. 127-146.

“Panic in Detroit: Don’t Breathe and the Fear of Old Cities, Homes, and Men.”

Elder Horror: Essays on Film’s Frightening Images of Aging. Ed. Cynthia J. Miller and A Bowdoin Van Riper. McFarland & Company, Inc., 2019, pp. 22-31.

“‘Black Enough For You?’: Cotton Comes to Harlem (1970) and the Cinematic Harlem.”

Urban Netherworlds: Noir and Neo-Noir New York and Los Angeles in Film. Ed. James J. Ward and Cynthia J. Miller. Rowman & Littlefield, 2017, pp. 105-124.

“Caged by Frail and Fragile Bonds: A Review of Michael Pearce’s Beast.”

Gothic Nature, vol. 1, no. 1, 2019, pp. 285-287.

“Nature, Read in Tooth and Claw: Katarina Gregersdotter, Johan Höglund, and Nicklas Hållén, Eds. Animal Horror Cinema: Genre, History and Criticism.”

Humanimalia: a journal of human/animal interface studies, vol. 9, no. 2, Spring 2018, pp. 208-213.

“Book Review: Stephanie DeBoer, Coproducing Asia: Locating Japanese-Chinese Regional Film and Media.”

Spectator, vol. 35, no. 1, Spring 2015, pp. 50-53.

“Vengeance and Dumb Brute: Animals as Objects, Instruments, and Agents of Revenge in American Genre Cinema.”

Stanford - Arcade: Literature, the Humanities, & the World. Ed. Moira Weigel, 2018.

“What a Boar: Translating Animal Horror and Ecological Anxieties in Chaw (Shin Jeong-won, 2009).”

The Independent, 19 March 2018.

“Let’s See Some Tits: Norway’s Distinctly Different Web Wildlife Program.” / “Piip-Show.”

MAS Context, no. 22, 2014, pp. 136-145.